by Bobbi Dunlop on 8/12/2007 10:24:36 AM

Step 2: I've let the underpainting dry overnight....blocking in the first step takes about 15 minutes but if I can, I like to work on a dry surface for this stage. Again, with the largest bristle brush I can handle on such a diminutive panel, I begin to really have fun...applying paint! Again, I try not to concentrate on drawing, just enjoy the process of laying on pieces of paint. And of course, color.....the intial stage has captured the concept I have in mind...where the light hits the objects and where the shadow creates the space my little pot nestles into. I push and pull my values, in the darker areas keeping the paint thinner, while in the area of light and color, I've concentrated on color as well as paint quality. I love to see the brushstrokes and I try very hard to just lay in a piece of paint and not disturb it too much. At this stage it's inevitable because the little pot is being sculpted with paint. With brushstrokes, I bring the paint tube into focus, as well. Not too much going on with the berry branch as this point, but I have made a start on it....
 My father, who passed away this past October at the age of 92 years, passed along his great love of horses to me. As I've mentioned in previous posts, as young artist horses were the subject of many of my paintings; many of them my Dad's. The hearts of artists and poets throughout the ages have been captivated by the beauty, power and grace of these wonderful creatures.
My Dad had such a way with them, such a gentle touch; it was apparent to all who knew him. Now, I do not see a horse without thinking of my Dad and the all I paint them, I think of him, as well.As a still life painter, the Tang Dynasty horse has become a great source of inspiration for me. Within the Tang society (China 618-906AD) the horse played an important role and was revered for their vigor and strength. They symbolized strength and status, as well as reflected on the personality of their owners and the prosperous and powerful Tang Dynasty itself.Ceramic models of the owner's horse have been found preserved in their tombs. Upon death, many Chinese horsemen were buried with clay horse sculptures and horses on which human figures are mounted, occupy a special place. These would often be found either preceding or following the coffin.The Tang horse portrayed in my painting "Tang Dynasty Prancer", 12x12, oil on linen, is not an authentic Tang horse but a reproduction which occupies a special place in my studio and which I treasure nonetheless. I've painted a number of them which I'll display in future posts. I hope you enjoy their elegant, and often dramatic, beauty as much as I enjoy sculpting them with paint. For me, with each brushstroke, the ancient horse comes to life.This painting is available for purchase at: [Space]Untitled or for further information please email me at bobbi@bobbidunlop.com
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